Lately I’ve become interested in flash fiction. It’s (comparatively) easy to write an unrestricted short story, but when you add an arbitrary restriction — 1,000 words, 500 words, or less — the writer must make an effort to drop unnecessary words, and rely more heavily on the reader to fill in the blanks.
Songs are not really flash fiction. They are more like poetry: they usually have stanzas (verses), a meter (beat), rhyme, etc. On the other hand, they share some characteristics with flash fiction. Songs on the radio nowadays are typically a few minutes in duration, and many of them tell a story in that time.
That made me wonder: if I were to take some of my favorite songs from the radio, and interpret them as flash fiction, what could I learn from the songwriters? I think the question is interesting enough to deserve an answer.
(Note that although I have no intention to do so, the same argument could be made for TV commercials, which are typically limited to 30 seconds or less.)
First up: Don’t Let Me Be Lonely, performed by The Band Perry.
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